Final Storyboard: This is the final storyboard during the planning phase of the music video, however there are a few scenes which I am unhappy with but when I am filming I will fix.
Shot:
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Location/ Audio/ Other:
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Location: Pathway,
near green open space
Audio: Introduction
of song, diegetic of couple laughing/talking, fades into non-diegetic music
of strumming of guitar from introduction of song
Other: Use of dolly
to follow couple. As the couple aren’t in shot it creates the enigma of who
are these people? What is their relationship to each other? Through the use
of the focus on the ground through the high angle shot I will be able to
introduce the titles for this music video such as: the production company,
the artists name, title of the song
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Location: Pathway,
near green open space
Audio: Introduction
of song, diegetic of couple laughing/talking, fades into non-diegetic music
of strumming of guitar from introduction of song
Other: The titles may appear on a piece of
card with the motif of the flower in the corner, however I may edit the
titles to appear on top of the video using Final Cut Express, this I feel
with give it a better finish to the overall music video – allowing it to seem
like a professional music video
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Location: Green
Open space
Audio: Verse 1,
lines: “As we sit there…feeling so close”
Other: This scene
will appear as a date between the couple. I have chosen this setting to show
jealousy through the colour green, but also to show the couples isolation/
they are the focus of each other’s worlds (I could possibly have people
walking through the shot to emphasise the couple only having eyes for each
other however I think it would take away from the romantic genre of the music
video). It is at the very beginning that the flower motif is introduced. I
decided to use a carnation because it is a symbolism of affection, love,
passion but also is not the cliché flower of love (the rose)
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Location: Angelo
Italian Eating Place
Audio: Verse
1/chorus 1, lines: “You turn to face me…I could have been the one”
Other: To show time
has passed this is another date, another location, this introduces the
breaking down of the relationship, the flower motif is the only constant
throughout this music video
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Location: Angelo
Italian Eating Place
Audio: Verse
1/chorus 1, lines: “You turn to face me…I could have been the one”
Other: The audience
are introduced to the couple looking happy just being with each other, this
quickly deteriorates
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Location: Angelo
Italian Eating Place
Audio: Verse
1/chorus 1, lines: “You turn to face me…I could have been the one”
Other: Boyfriend
pulls his hand away, this indicates the subtext that he is no longer
interested in this relationship.
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Location: Angelo
Italian Eating Place
Audio: Verse
1/chorus 1, lines: “You turn to face me…I could have been the one”
Other: Series of
close ups, use of slow motion to emphasise the significance of the boyfriend
pulling away his hand
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Location: Angelo
Italian Eating Place
Audio: Verse
1/chorus 1, lines: “You turn to face me…I could have been the one”
Other: Possibly
birds-eye view of the hand pulling away
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Location: Angelo
Italian Eating Place
Audio: Verse
1/chorus 1, lines: “You turn to face me…I could have been the one”
Other: Extreme close up
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Location: Angelo
Italian Eating Place
Audio: Verse
1/chorus 1, lines: “You turn to face me…I could have been the one”
Other: Extreme
close up
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Location: Angelo
Italian Eating Place
Audio: Verse
1/chorus 1, lines: “You turn to face me…I could have been the one”
Other: Reaction
shot, through the use of a shot reverse shot. The first mid shot will be of
the artist due to Goodwin’s theory: Demands of
the record label will include lots of close ups, I have incorporated this
theory into my music video and will be featured later on in the storyboard.
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Location: Angelo
Italian Eating Place
Audio: Verse
1/chorus 1, lines: “You turn to face me…I could have been the one”
Other: The next
shot (the reverse) will be of the boyfriend, trying to look elsewhere because
he knows what he’s just done is wrong.
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Location: Angelo
Italian Eating Place
Audio: Verse
1/chorus 1, lines: “You turn to face me…I could have been the one”
Other: The next mid
shot will be of the artist once more, to show her shock but also her
disappointment in the guy she loved.
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Location: Waiting
by a street light
Audio: Verse 2, lines:
“Blowing hot and cold…said to me a lie?
Other: To show time
passing we will us markers so that the shots can fade into each other. So we
will film in this location twice, I have researched the sun set time so that
I can be sure to organise the filming schedule so that we can film when it’s
light and then again when it’s slightly darker
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Location: Waiting
by a street light
Audio: Verse 2,
lines: “Blowing hot and cold…said to me a lie?
Other: This will be
when it’s darker, the artist will get out her phone and try calling the
boyfriend. This will lead into a series of close ups and lip syncing
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Location: Waiting
by a street light/ Bedroom 1
Audio: Verse 2,
lines: “Which might have…pain, pain”
Other: Parallel
editing so that the two scenes appear on the screen at the same time. As the
artist waits for her date, the boyfriend has either forgotten or just can’t
be bothered this is an enigma for the audience to decide upon for themselves.
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Location: Waiting
by a street light
Audio: Chorus 2,
lines: “I said no…love is like hell”
Other: Close up of
artist to emphasise her emotions but also Goodwin’s theory as she is an up
and coming artist.
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Location: Walking
down the street
Audio: Chorus 2,
lines: “I said no…love is like hell”
Other: Series of
shots slowly getting closer to the artist, starting with an extreme long shot
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Location: Walking
down the street
Audio: Chorus 2,
lines: “I said no…love is like hell”
Other: Series of
shots slowly getting closer to the artist, long shot
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Location: Walking
down the street
Audio: Chorus 2,
lines: “I said no…love is like hell”
Other: Series of
shots slowly getting closer to the artist, mid shot
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Location: Walking
down the street
Audio: Chorus 2,
lines: “I said no…love is like hell”
Other: Series of
shots slowly getting closer to the artist, ending with another close up, with
her either closing her eyes or looking to the sky, to show she is remembering
a previous date (picnic date) however it will differ from the original
showing of it in the first verse
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Location: Open
green space
Audio: Chorus 2,
lines: “A tragedy…I could have been the one”
Other: There will
be a fade in and out to a memory of the picnic date however this time I will
have an insert of the artist on another timeline so that appears as though
there is one Corrina experiencing the moment, and another looking back on it
in disgust because of what has changed since that moment
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Location: Living
room
Audio: Bridge,
lines: “And as you…into the ground”
Other: This is the
climax of the song, where the couple are arguing. I will use a pan to follow
the artist into the room. During the filming of this scene I will respect the
180°
rule. The difficulty will be making sure that both of the people are in the
shot, due to the layout of the setting as well as the height difference.
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Location: Living
room
Audio: Bridge,
lines: “I find myself weeping in silence”
Other: Although
when the boyfriend was sitting down the artist held the higher status as soon
as he stands up, the roles are reversed to how they were originally – her
clinging to him, and him trying to pull away. I will use an over the shoulder
shot so that the audience are sympathetic towards the artist. There will be a
mid shot of the couple showing their argument.
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Location: Living
room
Audio: Bridge,
lines: “weeping in silence”
Other: An over the
shoulder shot of the boyfriend walking out on her – multiple connotations
such as: walking out on their relationship, had enough of her etc.
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Location: Living
room
Audio: Bridge,
lines: “Slowly sinking”
Other: Close up of
the artist to show her emotions, create sympathy with the audience
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Location: Living
room
Audio: Bridge,
lines: “slowly sinking into the ground”
Other: Camera stays
static as the artist falls out of shot, the artist will first fall to her
knees then to the floor
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Location: Living
room
Audio: Bridge,
lines: “slowly sinking into the ground”
Other: Camera stays
static as the artist falls out of shot, the artist will first fall to her
knees then to the floor
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Location: Living
room
Audio: Bridge,
lines: “slowly sinking into the ground”
Other: There will
be a close up of the artist as she closes her eyes and there will then be a
blackout to show how emotionally drained the artist is but also to show the
beginning of the 2nd equilibrium coming
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Location: N/A
Audio: Bridge,
lines: “Where did I go wrong?”
Other: Black out
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Location: Bedroom 2
Audio: Chorus 3,
lines: “I said no, bliss can’t end”
Other: Another
close up of the artist, still respecting the 180° rule, whilst inspired by
the ‘Life on Mars’ scene, the artist is in the same position but a different
location.
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Location: Bedroom 2
Audio: Chorus 3,
lines: “So suddenly”
Other: The artist
has made up her mind; she is no longer going to be with the boyfriend. The
camera will stay static once more to reveal the montage of photos and petals
behind her although it will not be very clear causing an enigma until the
slow pan.
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Location: Bedroom 2
Audio: Chorus 3/4,
lines: “Should have known…so suddenly”
Other: long shot
revealing the petals and photos spread across the bed
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Location: Bedroom 2
Audio: Chorus 3/4,
lines: “Should have known…so suddenly”
Other: long shot
revealing the petals and photos spread across the bed, the artist will take a
box from off the dressing table, cliché way of getting over a boyfriend – to
put everything into a box
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Location: Bedroom 2
Audio: Chorus 3/4,
lines: “Should have known…so suddenly”
Other: long shot
revealing the petals and photos spread across the bed, the artist will take a
box from off the dressing table, cliché way of getting over a boyfriend – to
put everything into a box. Possible POV shot from the artists perspective
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Location: Bedroom 2
Audio: Chorus 3/4,
lines: “Should have known…so suddenly”
Other: long shot of
the artist clearing away the petals and photos, reminiscent to begin with
however with the build-up of more regular guitar strumming the clearing away
will become more rushed
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Location: Bedroom 2
Audio: Chorus 3/4,
lines: “Should have known…so suddenly”
Other: long shot of
the artist clearing away the petals and photos, reminiscent to begin with
however with the build-up of more regular guitar strumming the clearing away
will become more rushed
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Location: Bedroom 2
Audio: Chorus 3/4,
lines: “Should have known…so suddenly”
Other: long shot,
once the petals and photos are cleared the last thing to go into the box is
the flower, which will be snapped in half. To calm herself down the artist
will push down slightly on to the top of the box
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Location: Bedroom 2
Audio: Chorus 3/4,
lines: “Should have known…so suddenly”
Other: The artist
will take the box and put her coat on, creating the enigma from the audiences
– what is she going to do with the box? Where is she going?
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Location: Bedroom 2
Audio: Chorus 3/4,
lines: “Should have known…so suddenly”
Other: The artist
will take the box and put her coat on, creating the enigma from the audiences
– what is she going to do with the box? Where is she going?
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Location: Bonfire,
garden
Audio: Chorus 4,
lines: “For all you know…will be the one”
Other: Tilt of the
bonfire with the artist standing behind it
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Location: Bonfire,
garden
Audio: Chorus 4,
lines: “For all you know…will be the one”
Other: Once the
artist is in shot, there will be a mid shot of her dropping the box into the
bonfire
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Location: Bonfire,
garden
Audio: Chorus 4,
lines: “For all you know…will be the one”
Other: The artist
will watch the box then will look straight into the camera
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Location: Bonfire,
garden
Audio: Chorus 4,
lines: “For all you know…will be the one”
Other: Close up of
the artist looking straight into the camera, fade to black
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